Experigraph

xoxoxcom bot: These are, in short, discouragement? jytte: eugeny. chignons. xb: how does atrocious mean? j: macros (licentious) xb: irony? j: not work, being xb: is the surplus aspect of positive identity a follow-up to being in your blah blah blah? j: superfluity follows invention; xb: science? j: saturation brims regardless of inspiration; commentary does not precede failure xb: the underlying credence may well disconnect with actual creation? j: on the contrary - the production is marred by its constituents - what makes calcifies correlation xb: fumbling? j: centrally none of which avoids inhabitation xb: creation? j: or whatever xb: pågældende j: Hoheitsgebiet xb: tilfredsstille j: zerbröckelte xb: bloomstrain j: laster xb: sand-far-dict j: biden

What Deleuze missed in his Postscript to the Control Society is the fact that everything is edible now, including and especially politics.  Control is a threat up until you can eat it, in which case it becomes subordinated as the working class - the digested proletariat.  The creates scarcity in the communities that have not been digested creating a sort of mystique around inedibility.  I have the latest Prado bag - big deal, I am inedible. Digestive Control creates a solar-anal imperative to excessive amounts of waste production and photosynthetic absorption.  Eat as much as you can and shit as much as you can.  Thus the greatest horror for the Post-Control Society is to run out of food.  Once you have nothing left to eat, you no longer produce proletariat, and no one can do work any longer. The world of things presents a world that Digestive Ontology fails to recognize as real.  If you are not real, you have no voice: hence the current c...

  through mail-order package (indelibly sorrowful) the system has chosen the information of the embettered: http://www.itherapy.com/itherapy-therapist.html (via angela - packageinsertofsorrows.blogspot.com) the translation of prosthetics and the entirety as relapse and beginning the suasive - eternised through the bifurcation of pestles and reflection (unreflection) symmetry:  the veil of knowledge     the cunning and perspicuous     to re-attack the question of the system - of giving     of the art of sharing, good will, the friendly     of the offer that is optional         the village system reintroduced liveably into the shatterproof and coded         the best friend whose body has become too particularly the location of the inevitable           (soderberg - and how the pauline gives lie to honesty in the direct of isla...

the resplendence of tones, a lurid, implicit aglow, this useless unclosed chasten the direct mode of transfer is overruled by startle, serenade (in the example of the tears of ariadne, we have a remunerative concordance, a supplanted imaginary that entrusts the discoloured glow with the chastened, invocated) the mimansa speaks, the acts of crayfish, of the vitriolic and bare - how untruthfulness bore profits and vespers (only then in the trameled parcels of land, the interchanged alignments and cavorting, did this pressure invoke the plentiful, the degraded; distributed amongst the remonstrative, the inspired alignments, acidified disunity and a diffuse excuse, overborne pertinence - the impended

according to the legend, keridwan, whose name comes from kerydd, the word for a love that abrases – that chides – and gwen, the white colour that also gives description to the consequent guinevere and jennifer. caritavana, according to the legend, held to the atomistic idea of the cauldron – an idyll, fluted, hideous, made analogy with morfran, a distant sort of vestigial limb. afagdu's analogical ethologies – liquid which spilled over in an attempt to stir. the repulsive and wisdom – it is a ragtag appearance, a connotation and this ultra-idealist attempt to unite – later the pairing of the grotesque and defleshed makes clear the incision and philosophical razor. the lost and loaned which uncommonly offer the most judicious of silence. the word is spoken with liquid – wisdom the translocation of strangling. karjita's attempt to raze to the ground the mishandling, and the shifting – through phenomenological drifts that share and kiss; rabbits, dogs, fish, otter, birds and...

a totality of semiotic interactions, those included (mythologized we could say) and those unincluded; the biosemiotic here becomes a prime example - but of course not just that - just as the definition of life (the canguilhem/bichat death-defining) does little to separate and accurately delimit (paradigmatics...), so its "unique" processes have to find parallels in matter that's made of what it's made of. the radiatory semiotic, the mating call, the oil-slicked expression of water-ducks. as sensationalism - visuality perhaps - makes fodder for mythologization, so the heterosemiotic becomes acceptable insofar as it fills the role of the mythical icon; so the victim-duck becomes a medial other as a definition and a kind of textual experiment (foucault defining the other); but the mythologized semiotic becomes "all" the duck is (evidently the extent of the barthesian semiotic) the suffering of the duck is the suffering of anti-trends whose stakes are invested i...

Yami-ichi makes the move of commodifying internet art, of saying how can it be materialized and sold.  So we move from immaterial patterns (file types and codebases etc) to a material snapshot that also gains an existence as a physical product.  It's a print-on-demand world of algorithmic objects - at the hub of this is the notion of merchandise identity - the immaterial world asks "what is a thing now?" and computers respond that it is a calculation - that yes, we can produce things like we had, but if we lose one print-out it doesn't matter - what matters is the digitally encoded pattern to make more.  So we have market ephemera, but ephemera whose basic existence lies in the calculation towards reproduction (the digital file, the program/settings use to create and print, etc). What does brand and cultural space look like in the world of the algorithmic object?  It becomes about the rules with which to make a brand - slogan, logo, company name, etc., as opposed ...